the continuing adventures of gabriel garcía márquez
one novel that’s not a künstlerroman is garcía márquez’s living to tell the tale because it’s not a novel—it’s a memoir. but who cares? what we really want to know is how did garcía márquez become garcía márquez? here’s the definitive answer:

Those who knew me when I was four say that I was pale and introverted,  and spoke only to recount absurdities, but for the most part my stories  were simple episodes from daily life that I made more attractive with  fantastic details so that the adults would notice me.  My best sources  of inspiration were the conversations older people had in my presence  because they thought I did not understand them, or the ones in  intentional code in order to prevent my understanding them.  Just the  opposite was true:  I soaked them up like a sponge, pulled them apart,  rearranged them to make their origins disappear, and when I told them to  the same people who had told the stories earlier, they were bewildered  by the coincidence between what I said and what they were thinking.
At times I did not know what to do with my thoughts and I tried to hide them with rapid blinking. This happened so often that some rationalist in the family decided I should be seen by an eye doctor, who attributed my blinking to a problem with my tonsils and prescribed a syrup of iodized radish that worked very well to assuage the adults.

and this, i think, is the solution to how to become the next garcía márquez: iodized radish syrup.

the continuing adventures of gabriel garcía márquez

one novel that’s not a künstlerroman is garcía márquez’s living to tell the tale because it’s not a novel—it’s a memoir. but who cares? what we really want to know is how did garcía márquez become garcía márquez? here’s the definitive answer:

Those who knew me when I was four say that I was pale and introverted, and spoke only to recount absurdities, but for the most part my stories were simple episodes from daily life that I made more attractive with fantastic details so that the adults would notice me. My best sources of inspiration were the conversations older people had in my presence because they thought I did not understand them, or the ones in intentional code in order to prevent my understanding them. Just the opposite was true: I soaked them up like a sponge, pulled them apart, rearranged them to make their origins disappear, and when I told them to the same people who had told the stories earlier, they were bewildered by the coincidence between what I said and what they were thinking.

At times I did not know what to do with my thoughts and I tried to hide them with rapid blinking. This happened so often that some rationalist in the family decided I should be seen by an eye doctor, who attributed my blinking to a problem with my tonsils and prescribed a syrup of iodized radish that worked very well to assuage the adults.

and this, i think, is the solution to how to become the next garcía márquez: iodized radish syrup.

September 30, 2011
tags

snuff & cold lemonade

as  many of you know, my underground mariachi band is about to drop our latest album. all this studio time has really been taking a toll on my voice however and for the last few days i’ve been sounding a lot like alec baldwin with a bullfrog in his larynx.

my personal trainer has been treating me with all the usual holistic remedies for laryngitis (orchid honey, pickle brine, kerosene) but nothing seems to be working. fortunately, i recently received an old copy of a book of musical anecdote (1878) and can now find out how all the most celebrated singers of the 1800s nursed their ailing vocal chords.

  • Formes swore by a pot of good porter
  • Wachtel is said to trust to the yolk of an egg beaten up with sugar for his chest C’s.
  • We gather from a Vienna paper (not of recent date) that the Swedish tenor Labatt takes two salted cucumbers, and declares that this is the best thing in the world for strengthening the voice and giving it the true metallic ring.
  • Southeim is an advocate of snuff and cold lemonade
  • Steger, “the corpulent,” as he is surnamed, drinks the brown juice of the gambrinus
  • Ferenczy, the tenor, smokes, and strongly recommends a cigar to his colleagues; but others regard such a recipe as fatal, save perhaps Draxler, who smokes Turkish tobacco and cigarettes, cooling his throat betimes with a glass of good beer.
  • Rübgam, the barytone, drinks mead; another drinks sodawater; another sucks dried plums
  • Nachbaur eats bonbons
  • Beck, the barytone, takes nothing at all, and refuses to speak
  • Arabenek believes in Grampoldskirchner wine
  • Mdlle. Brann-Brini takes beer and café au lait, but she also firmly believes in champagne, and would never dare venture the great duet in the fourth act of the “Huguenots” without a bottle of Möet Crémant Rosé.
  • There are “celebrated basses” who advocate the exposure of the neck and chest to a June sun, a March wind, and a November fog
  • in the course of a lawsuit between a lady-singer at a music-hall and her manager, it came out in evidence that her favourite supportwas claret and cayenne pepper!

steger, “the corpulent” drinks the brown juice of the gambrinus?!? i guess i could see rübgam drinking brown gambrinus juice when his voice is gravelly, but i’m slightly shocked that steger, “the corpulent” would resort to this kind of obvious folly.

September 28, 2011
tags

pronouncing sex words 102

you wake up to the sound of your zune alarm blasting rule, brittania! as it does every morning at 7:30 without fail. you feel the frictionless satin of foreign sheets, you smell an exotic waft of honeydew and musk, you taste the corners of your mouth and come up with hints of duck a l’orange. you realise at once that you are not in your own apartment; you are not in your own bed. and then an attractive chinese literature phd candidate rolls over and brushes across your favourite sex organ and you remember at once what happened last night.

instead of doing it like werewolves on a full moon, you had the well-intentioned idea of lighting some yankee candles and playing some brian eno through computer speakers. but when you returned to your date, you find that your date is fast asleep. sure you might be able to awaken this attractive phd candidate through grinding, but that is not what tru-playas do. tru-playas do a few quick crunches and then fall asleep with their teeth grit.

but all is not lost, you and your date and your favourite sex organ are now wide awake and it’s time for a mulligan. but don’t be hasty, tru-playa. if you floss that duck out of your teeth, fluff up the goosedown pillows, and keep your pronunciations of sexually-charged words as on point as your game, you might just get yourself a story to post on the internet under the guise of giving out pronunciation advice.

imbroglio: im-BROHL-yoh, not im-BROAG-lee-oh
liaison: LEE-uh-ZAHN, not LAY-uh-zahn
lingerie: lan-zhe-REE, not lahn-zhe-RAY or LAHN-je-ray
nuptial: NUHP-shul, not NUHP-shoo-ul
ogle: OH-gul, not AW-gul
proboscis: proh-BAH-sis, not pruh-BAHS-kis
tête-à-tête: TAYT-uh-TAYT is recommended over TET-ah-TET
venereal: vuh-NEER-ee-ul, not vuh-NAIR-ee-ul

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source: the big book of beastly mispronunciations (1999).
more pronunciation advice here.

how to format various music titles
i’m writing an article about music for a certain lifestyle magazine to which i subscribed in undergrad but now only read while waiting in line at my favourite tattoo parlour. because the piece references all types of music (from glam rock to obscure sonatas), i figured that i would take some time to understand how to format various titles. never in a hundred trillion years did i think for a minute picosecond that the style for formatting different music pieces was this specific.
for the record: an opera is italicised, a popular song gets quotation marks, a classical piece that is not a tone poem nor short receives neither quotation marks nor italics.
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source: lauther’s complete punctuation thesaurus of the english language (1991).

how to format various music titles

i’m writing an article about music for a certain lifestyle magazine to which i subscribed in undergrad but now only read while waiting in line at my favourite tattoo parlour. because the piece references all types of music (from glam rock to obscure sonatas), i figured that i would take some time to understand how to format various titles. never in a hundred trillion years did i think for a minute picosecond that the style for formatting different music pieces was this specific.

for the record: an opera is italicised, a popular song gets quotation marks, a classical piece that is not a tone poem nor short receives neither quotation marks nor italics.

__

source: lauther’s complete punctuation thesaurus of the english language (1991).

April 8, 2011
tags
know your cow butts
it used to be that one could select a good dairy cow based upon the shape of the hairs on its thighs. nowadays: growth hormones.
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source: how to select cows by william pope hazard (1889).

know your cow butts

it used to be that one could select a good dairy cow based upon the shape of the hairs on its thighs. nowadays: growth hormones.

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source: how to select cows by william pope hazard (1889).

April 6, 2011
tags

pronouncing sex words 101

you are on a first date with an attractive chinese literature doctoral candidate from an accredited university in cambridge. and you, being the tru-playa that you are, are doing everything right. your eyebrows have been waxed at the proper angles. you pop your pinky like the duchess of devonshire while sipping your vin blanc. you order duck a l’orange and not one of the more vulgar options like gorgonzola stuffed pork chops. and most importantly, every word that leaves your duck fat-smeared lips is pronounced perfectly.

because your game is tight, you are invited back to this attractive phd candidate’s apartment and find that your date’s regrettably “wholesome” roommate is away at some conference. it’s time to make your move, but don’t let your pounding libido get in the way of your spotless pronunciation record, less the deal becomes unsealed. for the future benefit of you, and for the future relief of your sex organs, here are the proper ways to pronounce some select sexually-charged words.

aphrodisiac: AF-ruh-DIZ-ee-ak, not AF-ruh-DEE-zee-ak
areola: uh-REE-uh-luh, not AIR-ee-OH-luh
boudoir: BOO-dwahr, not buh-DWAHR
clitoris: KLIT-ur-is, not kli-TOR-is
coitus: KOH-i-tus, not KOY-tus
commingle: kuh-MING-gul, not koh-MING-gul
cowper’s glands: KOO-purz GLANDZ, not KOW-purz GLANDZ
décolletage: DAY-kawl-TAHZH, not DEK-uh-luh-TAHZH
dishabille: dis-uh-BEEL, not DIS-huh-beel
divan: di-VAN, not di-VON

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source: the big book of beastly mispronunciations (1999).
more pronunciation advice here.

proper pronunciations and how to lose friends

if you’re a masochistic pedant like me, then one of your favourite activities is using correct pronunciations which seem wrong, waiting for someone to correct you, and then telling that someone how you read in a dictionary once that your pronunciation is the correct one and their way is actually barbarous and laughable.

i do this all the time with the prefix quasi-, which is properly pronounced KWAY-zy the way that someone with a speech impediment might say crazy (which, beeteedub, makes words like quasi-religion and quasi-normal all the more fun to say). here are a few more pronunciation traps that you can set for your friends, enemies, and especially your frenemies:

diphthong: DIF-thawng, not DIP-thawng
eschew: es-CHOO, not e-SHOO
mauve: MOHV, not MAWV
orangutan: uh-RANG-uh-TAN, not uh-RANG-uh-TANG
patina: PAT-ih-nuh, not puh-TEE-nuh
ribald: RIB-uld, not RY-bald
vertebrae: VUR-tuh-bree, neither VER-tuh-bry nor VER-tuh-bray

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source: the big book of beastly mispronunciations (1999). more here.

how to bookworm-proof your books (hint: poison)
i woke up early on saturday morning with the rational fear that a bunch of idiot bookworms might somehow infiltrate my edwardian-era study and make a smörgåsbord of all my best books.
so to keep my books safe, i dialed up an 1884 book pesticide recipe. the article suggests rubbing your books down with an extremely toxic chemical, and not just any toxic chemical, one that used to be used to treat syphilis and preserve severed body parts.
materials needed: clean rain water (1 imperial pint), feather (1), sponge tied to a stick (1), and some poisonous mercury chloride (1 ounce) 

Keeping books in a damp room, and moving them but seldom, will render them particularly liable to attack. For many years I have employed a solution of corrosive sublimate of mercury in clean rain-water, applied with a pen or feather, to destroy the grubs, both in books and furniture, and have applied it generally on book-covers, as well as on articles of furniture, by means of a sponge tied on the end of a short stick, to avoid wetting the fingers. 
I have employed [this solution]… in consequence of reading in Thenard’s “Traité de Chemie,”  of a method first used by Dr. Chaussier of preserving dead bodies, by putting them into a saturated solution of this salt. Thenard says there that he has seen a human head thus preserved, which had been exposed to the sun and rain for a great many years, without having undergone the slightest alteration.

until monsanto invents a variety of paper that is resistant to bookworms, mercury chloride may be your best bet.

how to bookworm-proof your books (hint: poison)

i woke up early on saturday morning with the rational fear that a bunch of idiot bookworms might somehow infiltrate my edwardian-era study and make a smörgåsbord of all my best books.

so to keep my books safe, i dialed up an 1884 book pesticide recipe. the article suggests rubbing your books down with an extremely toxic chemical, and not just any toxic chemical, one that used to be used to treat syphilis and preserve severed body parts.

materials needed: clean rain water (1 imperial pint), feather (1), sponge tied to a stick (1), and some poisonous mercury chloride (1 ounce) 

Keeping books in a damp room, and moving them but seldom, will render them particularly liable to attack. For many years I have employed a solution of corrosive sublimate of mercury in clean rain-water, applied with a pen or feather, to destroy the grubs, both in books and furniture, and have applied it generally on book-covers, as well as on articles of furniture, by means of a sponge tied on the end of a short stick, to avoid wetting the fingers.

I have employed [this solution]… in consequence of reading in Thenard’s “Traité de Chemie,”  of a method first used by Dr. Chaussier of preserving dead bodies, by putting them into a saturated solution of this salt. Thenard says there that he has seen a human head thus preserved, which had been exposed to the sun and rain for a great many years, without having undergone the slightest alteration.

until monsanto invents a variety of paper that is resistant to bookworms, mercury chloride may be your best bet.

March 21, 2011
tags
aspirations
for all the young people out there who are wishing to one day wed a fine set of upper lip hair—like yours truly—this book from 1872 by a certain mrs. t. narcisse doutney may* very well be the guidebook that we have been searching for.
__
*[cocktease alert] i say may because—quite oddly—the word moustache does not seem to exist anywhere in the book apart from the title
also: get a load of the chapter titles: 1) i am born, 2) i am a baby, 3) i am a child, 4) my girlhood, 5) the circus, 7) i am a wife, & 9) i am a widow.

aspirations

for all the young people out there who are wishing to one day wed a fine set of upper lip hair—like yours truly—this book from 1872 by a certain mrs. t. narcisse doutney may* very well be the guidebook that we have been searching for.

__

*[cocktease alert] i say may because—quite oddly—the word moustache does not seem to exist anywhere in the book apart from the title

also: get a load of the chapter titles: 1) i am born, 2) i am a baby, 3) i am a child, 4) my girlhood, 5) the circus, 7) i am a wife, & 9) i am a widow.

December 1, 2010
tags
how to make an edwardian-era study [full plans]
when i woke up this morning, i realised that my favourite pair of bespoke socks (angora rabbit hair with an argyle design in the colours of trinity college) had been used as a smörgåsbord by a family of ugly moths. so it goes without saying that i started this particular tee-gee-eye-eff in a pretty sour state.
BUT! then i came across a 1905 article called the study: its building and equipment which gives highly detailed instructions on how to make your own edwardian-era book den. here is what you need to know about me: it’s my older brother ranulph who stands to inherit ganan manor (and along with it, my grandfather’s throbbingly masculine, oak-paneled study). therefore, these detailed plans will be highly useful when the time comes for me to erect my own ganan manor and an even more throbbingly masculine study to plot my revenge.
at any rate, here is how the article starts: 

If, as is so often said, the Englishman’s home is his castle…the study is, of all places, the keep of that castle…Therein the lord of the domain was wont to lay mighty plans, perchance for the development of his estate, perchance for the overthrow of his enemies. Therein he contemplated his adversities and the cruelty of fate and therein he thought good thoughts for the welfare of his kindred, his friends and his people. The very word “study” produces a whole train of terms—thought, contemplation, patience, faith, hope, charity, progress, development,—and the room itself should assist these ideas, stimulating the brain to higher ideals and nobler aspirations.

it only gets better from there. here are some bulleted items to keep in mind when you and i are designing private library rooms of our own:
Quietness and repose are essentials, and no sound of pianos, of removal and washing of crockery, of the romping of children, or any noise likely to distract, should be allowed to reach the study.
In most cases the study should be upon the ground floor so that when necessity arises, interviews can take place without callers having to travel half over the house.
It is well known that the early hours of the day are those in which the brain is clearest and most active.
A study facing south and southwest becomes so hot, so unbearably stuffy that the brain is overpowered, fatigued, and quite powerless to act.
Such a room must not be too exciting [but also] every precaution must be taken to keep it from becoming damp and doleful.
Rooms with windows on two walls can be better aired, and vitiated air more quickly removed.
All cement should be up to the British standard specification and should be scientifically tested.
Locks should be good and come from one of the best firms.
Should an untidy maid put her hand upon [your hand-made glazed tiles] the marks can easily be removed without damage being done.
Electric lighting if it can be obtained has much to recommend it on the score of cleanliness.
my takeaway: a study facing south with closed windows and vitiated air is an early 1900s dutch oven.

how to make an edwardian-era study [full plans]

when i woke up this morning, i realised that my favourite pair of bespoke socks (angora rabbit hair with an argyle design in the colours of trinity college) had been used as a smörgåsbord by a family of ugly moths. so it goes without saying that i started this particular tee-gee-eye-eff in a pretty sour state.

BUT! then i came across a 1905 article called the study: its building and equipment which gives highly detailed instructions on how to make your own edwardian-era book den. here is what you need to know about me: it’s my older brother ranulph who stands to inherit ganan manor (and along with it, my grandfather’s throbbingly masculine, oak-paneled study). therefore, these detailed plans will be highly useful when the time comes for me to erect my own ganan manor and an even more throbbingly masculine study to plot my revenge.

at any rate, here is how the article starts: 

If, as is so often said, the Englishman’s home is his castle…the study is, of all places, the keep of that castle…Therein the lord of the domain was wont to lay mighty plans, perchance for the development of his estate, perchance for the overthrow of his enemies. Therein he contemplated his adversities and the cruelty of fate and therein he thought good thoughts for the welfare of his kindred, his friends and his people. The very word “study” produces a whole train of terms—thought, contemplation, patience, faith, hope, charity, progress, development,—and the room itself should assist these ideas, stimulating the brain to higher ideals and nobler aspirations.

it only gets better from there. here are some bulleted items to keep in mind when you and i are designing private library rooms of our own:

  • Quietness and repose are essentials, and no sound of pianos, of removal and washing of crockery, of the romping of children, or any noise likely to distract, should be allowed to reach the study.
  • In most cases the study should be upon the ground floor so that when necessity arises, interviews can take place without callers having to travel half over the house.
  • It is well known that the early hours of the day are those in which the brain is clearest and most active.
  • A study facing south and southwest becomes so hot, so unbearably stuffy that the brain is overpowered, fatigued, and quite powerless to act.
  • Such a room must not be too exciting [but also] every precaution must be taken to keep it from becoming damp and doleful.
  • Rooms with windows on two walls can be better aired, and vitiated air more quickly removed.
  • All cement should be up to the British standard specification and should be scientifically tested.
  • Locks should be good and come from one of the best firms.
  • Should an untidy maid put her hand upon [your hand-made glazed tiles] the marks can easily be removed without damage being done.
  • Electric lighting if it can be obtained has much to recommend it on the score of cleanliness.

my takeaway: a study facing south with closed windows and vitiated air is an early 1900s dutch oven.

November 19, 2010
tags

someone get me a root of radish

i don’t know how you like to party. perhaps it involves an ironic brand of beer that gets less ironic the more it’s consumed. perhaps your party soundtrack is inclusive of thumping bass and grievous distortion effects and the twin mantras of carpe diem and getting some. perhaps the climax of your social gathering is when everyone interweaves themselves into a human monkey-knot, a farrago of sweat-drenched designer wife-beaters, rave beads, tiger balm, and limbs thrusting freely like tentacles of the id.

the long and short of it is that i really don’t know how you like to party, but i do know how raynor ganan likes to. and as you probably guessed, it involves a thousand year-old book, a pulpit from which i can read aloud long passages, and a roomful of party guests that can endure this. 

friday’s revelation about crushed pearls as a medicine for the ailing rich tickled me in a way that i shan’t elaborate and so i went hunting for other old-timey medicine recipes for more laughs. it turns out that collections of this nature were quite common in mediæval europe and were called leechbooks. here is a good one. but the best one, and the one that i took with me to a recent dinner party is: leechdoms, wortcunning, and starcraft of early england (1865) which is a translation of a 9th century tract (known as bald’s leechbook) written in the oldest version of english going*.

i read a few preposterous remedies to my group and the yucks were so free-flowing that others grabbed this marvelous tome out of my well-manicured hands and starting finding their own ridiculous elixirs. here are a few of our favourites†:

for joint pain; take dove’s dung and a goat’s turd, dry them thoroughly and rub to dust, mingle with honey and with butter, smear the joints therewith.

against elf disease; take fennel, nightshade, moss or lichen from the hallowed sign of christ, bind in a cloth, dip it thrice in hallowed font water. reek the man with this before 9 in the morning, sing the pater noster, and write christ’s mark on each of his limbs; it will soon be will with him.

against a tumor; burn a fresh hound’s head to ashes, apply to the wound. if the wound will not give way to that, take a man’s dung, dry it thoroughly, rub to dust, apply it. if this thou art not able to cure him, thou mayest never do it by any means.

in case a man be a lunatic; take skin of porpoise, work it into a whip, swinge the man therewith, soon he will be well. amen.

in case of a cut that will not heal; take a new horse’s turd, dry it in the sun, rub it to dust thoroughly well, lay the dust very thick on a linen cloth; wrap up the wound with that.

work a salve against nocturnal goblin visitors; boil in butter lupins, hedgerife, bisopwort, red maythe, cropleek, salt; smear the man therewith, it will soon be well with him.

against a woman’s chatter; taste at night a root of radish, that day the chatter cannot harm thee.

i could keep going. i could keep going like we did on saturday, belching laughs into the predawn haze and resolving that if we ever hot-tub-timemachined ourselves back to the 9th century a.d. to never, ever, under any circumstances seek medical attention—even if we came down with a case of nocturnal goblin visitors. 

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*in fact, reading through this book is highly reminiscent of poul anderson’s uncleftish beholding.

†paraphrased

November 8, 2010
tags
medici medicine
i’ve been popping a lotta medicines lately: benzocaine for my meth teeth, blackmarket “kraken bile” which helps reduce the discolouration of my armpits, piperonyl butoxide to exterminate my pubic fleas, and reversitol for my prolapsed belly button. but none of my medications rivals the luxuriously idiotic remedy prescribed for the ailing lorenzo “il magnifico” de’ medici:

[His] end, in 1492, was certainly hastened by his medical treatment. [A] famous Milanese specialist…was called into consultation by [his] resident physician…but the case was hopeless. As though to mark the high human value of the patient’s life they lavishly prescribed a potion of crushed pearls and rubies!

gag! can you imagine convalescing all day in a puddle of your own humours riding a nauseous wave of feverish chills and abdominal pain and your doctor is like, “look bro, because you are like the biggest i-banker in all of europe, i’m gonna prescribe you something befitting your stature. what i’m gonna do is crush up some rubies, pulverize some pearls, mix ‘em together with the dopest chianti in all of florence and you are going to chug-a-lug until everything is rad again. capisce?”
i suppose that if i knew that my death was imminent, i would most likely skull the gritty concoction just for the thrills that it would give my coroner. he would be yanking out my entrails and weighing my gallbladder when all these bits of jewels would clangle to the floor like the payout from a slot machine. and my coroner would be like, “cha-ching” and dollar signs would roll into his eyes (euro signs if he is originally from europe) and he would cash in my organs and buy property in (the non-panhandle part of) florida and live the good life until one day when a swat team from the internal revenue service comes a’ knockin’.
sorry for moralizing, but if some idiot coroner ever sells my ruby-studded viscera, HE WILL GET WHAT IS COMING TO HIM. 
__
 
sauce: the guilds of florence by edgecumbe staley (1906).

medici medicine

i’ve been popping a lotta medicines lately: benzocaine for my meth teeth, blackmarket “kraken bile” which helps reduce the discolouration of my armpits, piperonyl butoxide to exterminate my pubic fleas, and reversitol for my prolapsed belly button. but none of my medications rivals the luxuriously idiotic remedy prescribed for the ailing lorenzo “il magnifico” de’ medici:

[His] end, in 1492, was certainly hastened by his medical treatment. [A] famous Milanese specialist…was called into consultation by [his] resident physician…but the case was hopeless. As though to mark the high human value of the patient’s life they lavishly prescribed a potion of crushed pearls and rubies!

gag! can you imagine convalescing all day in a puddle of your own humours riding a nauseous wave of feverish chills and abdominal pain and your doctor is like, “look bro, because you are like the biggest i-banker in all of europe, i’m gonna prescribe you something befitting your stature. what i’m gonna do is crush up some rubies, pulverize some pearls, mix ‘em together with the dopest chianti in all of florence and you are going to chug-a-lug until everything is rad again. capisce?”

i suppose that if i knew that my death was imminent, i would most likely skull the gritty concoction just for the thrills that it would give my coroner. he would be yanking out my entrails and weighing my gallbladder when all these bits of jewels would clangle to the floor like the payout from a slot machine. and my coroner would be like, “cha-ching” and dollar signs would roll into his eyes (euro signs if he is originally from europe) and he would cash in my organs and buy property in (the non-panhandle part of) florida and live the good life until one day when a swat team from the internal revenue service comes a’ knockin’.

sorry for moralizing, but if some idiot coroner ever sells my ruby-studded viscera, HE WILL GET WHAT IS COMING TO HIM. 

__

sauce: the guilds of florence by edgecumbe staley (1906).

November 5, 2010
tags
macgyvering your monocle
me and my monocle go everywhere together (even u.s. government monocle-restricted zones) but it wasn’t until i read “useful adaptations of the monocle” from a 1921 issue of illustrated world magazine that i realised how useful a monocle could be in a pinch. consider some other potential uses:
as lens for your voigtländer daguerreotype camera
as a spark gap tester for your rickenbacker vertical eight super fine automobile
as a slide for examining your blood and other humours

macgyvering your monocle

me and my monocle go everywhere together (even u.s. government monocle-restricted zones) but it wasn’t until i read “useful adaptations of the monocle” from a 1921 issue of illustrated world magazine that i realised how useful a monocle could be in a pinch. consider some other potential uses:

  • as lens for your voigtländer daguerreotype camera
  • as a spark gap tester for your rickenbacker vertical eight super fine automobile
  • as a slide for examining your blood and other humours
September 23, 2010
tags
how to get through college
according to this advertisement (circa 1935) the trick to getting through college is brushing your teeth once in a while. not only will people like you more BUT the dean will stop awkwardly touching your shoulder and taking secret whiffs of your bad breath. ALSO: jim may even ask you to the prom!

how to get through college

according to this advertisement (circa 1935) the trick to getting through college is brushing your teeth once in a while. not only will people like you more BUT the dean will stop awkwardly touching your shoulder and taking secret whiffs of your bad breath. ALSO: jim may even ask you to the prom!

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