james joyce and the hotel porter

[Said Joyce:] ‘A German lady called to see me today. She is a writer and wanted me to give an opinion on her work, but she told me she had already shown it to the porter of the hotel where she stays. So I said to her: “What did your hotel porter think of your work?” She said: “He objected to a scene in my novel where my hero goes out into the forest, finds a locket of the girl he loves, picks it up and kisses it passionately.” “But,” I said, “that seems to me to be a very pleasing and touching incident. What did your hotel porter find wrong with it?” And then she tells me he said: “It’s all right for the hero to find the locket and to pick it up and kiss it, but before he kissed it you should have made him wipe the dirt off it with his coat sleeve.” ‘

I told her,’ said Joyce ‘(and I meant it too), to go back to that hotel porter and always to take his advice. “That man,” I said, “is a critical genius. There is nothing I can tell you that he can’t tell you.” ‘

__

source: james joyce and the making of ulysses, by frank budgen (1934)

today in intriguing german loanwords:

künstlerroman • a novel that has as its main theme the formative years of an artist.

some english examples of this sub-sub-genre are »

David Copperfield, The Tragic Muse, Martin Eden, In Search of Lost Time, Sons and Lovers, A Portrait of the Artist as a Young Man, Of Human Bondage, This Side of Paradise, To the Lighthouse, Black Boy & Life Is Elsewhere

__

yesterday in intriguing german loanwords:

a while back i made a post about the very intriguing geisterfahrer “a driver who mysteriously appears on the wrong side of the road.” i wondered why there was a need to name this seemingly rare phenomenon and was content with urban dictionary’s explanation: daredevils, drunks and suicides. and then this guy named luke (who is a real person) wrote to me with the following tale that sheds a whole new light on the geisterfahrer. said luke:

Before WWII, Austria’s drivers motored on the left side of the road. Being quite close physically and culturally, Germans and Austrians visited each other and understandably struggled to stay on the proper side. During WWII the Austrians changed their driving laws (cough, Hilter’s invasion and subsequent martial laws, cough).

My friends grand father was killed by a geisterfahrer after the rules changed. The anonymous on-coming driver had reverted to old habits and was on the wrong side of the road.

September 30, 2011
tags

words wholly unrelated

hellion & hell

because i’m breaking my day long fast of the internet in observance of bloomsday, you know that what i am about to tell you has got to be as important as when abc news interrupted the view to inform me that they heard from the new york times who heard from “a friend close to the source” that a democratic exhibitionist from new york has probably decided to resign because embarrassing cameraphone images of his weirdly brozilian-waxed body have been leaked to the public by his internet girlfriends and his new wife is pregnant and his name is wiener.

anyway, hellion (a devilish person or mischievous child) comes from the scottish dialectical hallion (a worthless fellow). hell is a very old proto-germanic word meaning “the concealed place.” the spelling of the former may have been influenced by the latter, though both ultimately derive from separate sources.

now back to pretending to read ulysses

June 16, 2011
tags
the first bloom(sday)
bloomsday, the ancient celtic fertility festival, has not always been about watching theatre majors strut around in period sportswear, or listening to music majors strum the celtic harp, or (worst of all) enduring english majors as they grab you by the shoulder and tell you how to read ulysses is to see the face of god. indeed, bloomsday used to be about lowbrow carousing under the pretense of discussing highbrow literature. take for example this account of the first bloomsday:

The day was 16 June, 1954, and though it was only mid-morning, Brian O’Nolan [Flann O’Brien] was already drunk. This day was the fiftieth anniversary of Mr. Leopold Bloom’s wanderings through Dublin, which James Joyce had immortalised in Ulysses .To mark this occasion a small group of Dublin literati had gathered …just below the Martello tower in which the opening scene of Joyce’s novel is set. They planned to travel round the city through the day, visiting in turn the scenes of the novel, ending at night in what had once been the brothel quarter of the city, the area which Joyce had called Nighttown.Sadly, no-one expected O’Nolan to be sober…The rest of the party, that first Bloomsday, was made up of the poet Patrick Kavanagh, the young critic Anthony Cronin, a dentist named Tom Joyce, who as Joyce’s cousin represented the family interest, and John Ryan, the painter and businessman who owned and edited the literary magazine Envoy.Kavanagh and O’Nolan began the day by deciding they must climb up to the Martello tower itself, which stood on a granite shoulder behind the house. As Cronin recalls, Kavanagh hoisted himself up the steep slope above O’Nolan, who snarled in anger and laid hold of his ankle. Kavanagh roared, and lashed out with his foot. Fearful that O’Nolan would be kicked in the face by the poet’s enormous farmer’s boot, the others hastened to rescue and restrain the rivals.With some difficulty O’Nolan was stuffed into one of the cabs by Cronin and the others. Then they were off, along the seafront of Dublin Bay, and into the city. In pubs along the way an enormous amount of alcohol was consumed, so much so that on Sandymount Strand they had to relieve themselves as Stephen Dedalus does in Ulysses… Eventually they arrived in Duke Street in the city centre, and the Bailey, which John Ryan then ran as a literary pub.They went no further. Once there another drink seemed more attractive than a long tour of Joycean slums, and the siren call of the long vanished pleasures of Nighttown.

__
from: flann o’brien, an illustrated biography by costello and van der kamp (1987)
pictured above on the first bloomsday: john ryan, anthony cronin, brian o’nolan (flann o’brien), patrick kavanagh & tom joyce; (1954). source.

the first bloom(sday)

bloomsday, the ancient celtic fertility festival, has not always been about watching theatre majors strut around in period sportswear, or listening to music majors strum the celtic harp, or (worst of all) enduring english majors as they grab you by the shoulder and tell you how to read ulysses is to see the face of god. indeed, bloomsday used to be about lowbrow carousing under the pretense of discussing highbrow literature. take for example this account of the first bloomsday:

The day was 16 June, 1954, and though it was only mid-morning, Brian O’Nolan [Flann O’Brien] was already drunk. This day was the fiftieth anniversary of Mr. Leopold Bloom’s wanderings through Dublin, which James Joyce had immortalised in Ulysses .

To mark this occasion a small group of Dublin literati had gathered …just below the Martello tower in which the opening scene of Joyce’s novel is set. They planned to travel round the city through the day, visiting in turn the scenes of the novel, ending at night in what had once been the brothel quarter of the city, the area which Joyce had called Nighttown.

Sadly, no-one expected O’Nolan to be sober…The rest of the party, that first Bloomsday, was made up of the poet Patrick Kavanagh, the young critic Anthony Cronin, a dentist named Tom Joyce, who as Joyce’s cousin represented the family interest, and John Ryan, the painter and businessman who owned and edited the literary magazine Envoy.

Kavanagh and O’Nolan began the day by deciding they must climb up to the Martello tower itself, which stood on a granite shoulder behind the house. As Cronin recalls, Kavanagh hoisted himself up the steep slope above O’Nolan, who snarled in anger and laid hold of his ankle. Kavanagh roared, and lashed out with his foot. Fearful that O’Nolan would be kicked in the face by the poet’s enormous farmer’s boot, the others hastened to rescue and restrain the rivals.

With some difficulty O’Nolan was stuffed into one of the cabs by Cronin and the others. Then they were off, along the seafront of Dublin Bay, and into the city. In pubs along the way an enormous amount of alcohol was consumed, so much so that on Sandymount Strand they had to relieve themselves as Stephen Dedalus does in Ulysses… Eventually they arrived in Duke Street in the city centre, and the Bailey, which John Ryan then ran as a literary pub.

They went no further. Once there another drink seemed more attractive than a long tour of Joycean slums, and the siren call of the long vanished pleasures of Nighttown.

__

from: flann o’brien, an illustrated biography by costello and van der kamp (1987)

pictured above on the first bloomsday: john ryan, anthony cronin, brian o’nolan (flann o’brien), patrick kavanagh & tom joyce; (1954). source.

June 16, 2010
tags
(but i did not shoot the drop cap E)
tudza (a cyberbuddy and notorious crank) made this marvelous graphical pun and says:

I copied the idea of course, but while the original… was done in Photoshop, this was done with a Hi-Point 9mm at the local pistol range.

who needs the adobe creative suite when one has access to FIREARMS!?!?
also: does seeing a large s in this way remind anyone else of ulysses?

(but i did not shoot the drop cap E)

tudza (a cyberbuddy and notorious crank) made this marvelous graphical pun and says:

I copied the idea of course, but while the original… was done in Photoshop, this was done with a Hi-Point 9mm at the local pistol range.

who needs the adobe creative suite when one has access to FIREARMS!?!?

also: does seeing a large s in this way remind anyone else of ulysses?

auctorial descriptives -or- literary eponymous adjectives

i have always been fascinated by demonyms and so i compiled this fairly* exhaustive list on similar terms related to authors. what really tickles my pickle are: 1. the irregularities (given in italics) and 2. the authors that have not been adjectivised:

Asimovian, Austenian, Baconian, Ballardian, Balzacian, Borgesian, Brechtian, Bunyanesque, Byronic, Carrollian, Cartesian, Chaucerian, Checkovian, Chestertonian, Conradian, Dantesque, Dickensian, Durrellian, Dostoevskian, Emersonian, Erasmian, Faulknerian, Gravesian, Homeric, Huxleyan, Jamesian, Joycean, Juvenalian, Kafkaesque, Lawrentian, Lovecraftian, Machiavellian, Marlovian, Maughamian, Menippean, Miltonic, Nabokovian, Orwellian, Pinteresque, Poundian, Proustian, Rabelaisian, Randian, sadistic†, Sapphic, Sartrean, Shakespearean, Shavian, Spenserian, Tennysonian, Thurberesque, Thoreauvian, Tolkienian, Tolstoyan, Trollopian, Vergilian, Voltairean, Vonnegutian, Waughian, Wildean, Woolfian.

notice: huxleyan and tolstoyan BUT dostevskian
miltonic and byronic‡ BUT chestertonian
marlovian, thoreauvian, and shavian BUT waughian
pinteresque and thurberesque BUT spenserian

conspicuously absent: twain, poe, hemingway, conan doyle, ibsen, dickinson, rowling <gag>, wallace, et alii

see also: the literary onomasticon and/or this humorous article.

__

*i say fairly because i omitted a bunch of classical “writers” that we really don’t owe any sort of credit to. seriously, what literary legacy of any value did the greeks or romans leave for us?

†this adjective from the marquis de sade is the only term on the list that is genuinely lowercase.

‡there are scads of great rhyming words here for my man, baba.

quadrivium
even though joyce said this in defense of finnegans wake, this quote is an appropriate epigraph for the slowblogging ulysses project (today&#8217;s word is winding). and while we are on the topic of stories that will take thousands of years to complete, there is also this one (which employs a very different delaying measure).

quadrivium

even though joyce said this in defense of finnegans wake, this quote is an appropriate epigraph for the slowblogging ulysses project (today’s word is winding). and while we are on the topic of stories that will take thousands of years to complete, there is also this one (which employs a very different delaying measure).

cheer up, mr. joyce—it&#8217;s bloomsday!
as tomorrow is the 105th anniversary of bloomsday AND many of you have confessed to me that ulysses is one of your crack books (a book that you have only pretended to have read) AND ALSO the infinite summer project is a hot commodity right now, i thought that i would announce my latest project:
slowblogging ulysses, where i have been blogging the entirety of ulysses since may 4th at the rate of one word per day. i expect to complete the project around noon on the 27th day of April, 2741.

cheer up, mr. joyce—it’s bloomsday!

as tomorrow is the 105th anniversary of bloomsday AND many of you have confessed to me that ulysses is one of your crack books (a book that you have only pretended to have read) AND ALSO the infinite summer project is a hot commodity right now, i thought that i would announce my latest project:

slowblogging ulysses, where i have been blogging the entirety of ulysses since may 4th at the rate of one word per day. i expect to complete the project around noon on the 27th day of April, 2741.

June 15, 2009
tags
kate beaton crystalises the status of joyce&#8217;s letters to nora as the 2 girls / 1 cup meme of 1909. once you read them, you can never unread them. via

kate beaton crystalises the status of joyce’s letters to nora as the 2 girls / 1 cup meme of 1909. once you read them, you can never unread them. via

another cosmic 3-way
joyce, hemingway, &amp; hirschfeld. (also: h.l. menken was the founder of the american mercury).

another cosmic 3-way

joyce, hemingway, & hirschfeld. (also: h.l. menken was the founder of the american mercury).

April 24, 2009
tags
jim, vlad, tommy &amp; raynor: a cosmic link
last thursday, i posted a map that vladimir nabokov used when teaching joyce to thomas pynchon. an anonymous operative in dublin axed me where he could get a higher-rez image and i promised that i would look into the matter. this is how my quest starts. how it ends is with me pawing through nabokov&#8217;s original papers in the inner-most sanctum of the new york public library. here is the in-between stuff:
part the first: a map quest
the original map is housed in the morgan collection of the nypl. since i was going to be in the city this weekend with some time to kill, i thought i would try and see how close that i could come to getting my greasy mitts on a facsimilie of the map.
i have a long and sordid history of infiltrating libraries and figured that the nypl would be lemon pound cake. it wasn&#8217;t. it took 3 levels of access (for which i had no ready documentation) and a lot of paperwork. ultimately the decision came down to the morgan curator, donna barker. my access would be based entirely upon her assessment of 1. how legit that i was (i am not legit) and 2. the reasons for my wanting to see nabokov&#8217;s unpublished papers (a whim? scorching curiosity?).
after a lot of blah-blah-blahing i was admitted into room 444. donna then reviewed my paperwork and grilled me for fifteen minutes before finally acquiescing. within the hour i received a folder containing not facsimiles of nabokov&#8217;s papers but the real deal—coffee ringed, besmudged, finger-printed, mothball-scented* handwritten notes of one of the giants of western literature!
part the second: notes on his notes
i have handled highly revered objects before. i have made small talk with authors that i admire at book signings. but i have never lost my shit the way i did when a librarian dropped a big folder with nabokov&#8217;s personal writings into my lap and told me to go to town. after composing myself, i was able to make a few notes. here are some (in bullet form for ease of reading):
there were actually 3 different versions of the maps all with mostly the same information. each was on standard letter-sized typing paper.
nabokov&#8217;s handwriting was meticulous and bold with an occasional flourish. i was delighted to see that at points he lapsed into [what appeared to be] sütterlinschrift (seen especially in his medial s&#8217;s).
the maps themselves were not very different from standard ones like this and this. 
nabokov calculates that bloom walks 5 miles throughout the day.
for reasons not readily understandable, he drew england about 1,000 feet off the coast of dublin.
while i was sifting through personal notes written by one of the top writers of the twentieth century, sitting in a room containing original manuscripts and love letters by the likes of woolf, pound, yeats, kerouac and james, the curator was reading a patrick o&#8217;brian novel.
in the end, donna would NOT let me photocopy anything. she said that i would first need to get the permission of dmitri nabokov. i joked that dmitiri would probably oblige given his latest decision regarding his father&#8217;s literary estate. this joke did not go over so well.
dmitiri however, failed to prevent me from taking notes and i WAS able to recreate the whole map on my own little scrap of paper. perhaps in 500 years, some pesky hoverboard-riding blogger might con his way into the new nypl so as to catch a quick peak of the raynor/nabokov/joyce map. or perhaps it will wind up as trash and a hobo will use it to toilet train his golden retreiver. only time will tell.
*yes, i sniffed it.

jim, vlad, tommy & raynor: a cosmic link

last thursday, i posted a map that vladimir nabokov used when teaching joyce to thomas pynchon. an anonymous operative in dublin axed me where he could get a higher-rez image and i promised that i would look into the matter. this is how my quest starts. how it ends is with me pawing through nabokov’s original papers in the inner-most sanctum of the new york public library. here is the in-between stuff:

part the first: a map quest

the original map is housed in the morgan collection of the nypl. since i was going to be in the city this weekend with some time to kill, i thought i would try and see how close that i could come to getting my greasy mitts on a facsimilie of the map.

i have a long and sordid history of infiltrating libraries and figured that the nypl would be lemon pound cake. it wasn’t. it took 3 levels of access (for which i had no ready documentation) and a lot of paperwork. ultimately the decision came down to the morgan curator, donna barker. my access would be based entirely upon her assessment of 1. how legit that i was (i am not legit) and 2. the reasons for my wanting to see nabokov’s unpublished papers (a whim? scorching curiosity?).

after a lot of blah-blah-blahing i was admitted into room 444. donna then reviewed my paperwork and grilled me for fifteen minutes before finally acquiescing. within the hour i received a folder containing not facsimiles of nabokov’s papers but the real deal—coffee ringed, besmudged, finger-printed, mothball-scented* handwritten notes of one of the giants of western literature!

part the second: notes on his notes

i have handled highly revered objects before. i have made small talk with authors that i admire at book signings. but i have never lost my shit the way i did when a librarian dropped a big folder with nabokov’s personal writings into my lap and told me to go to town. after composing myself, i was able to make a few notes. here are some (in bullet form for ease of reading):

  • there were actually 3 different versions of the maps all with mostly the same information. each was on standard letter-sized typing paper.
  • nabokov’s handwriting was meticulous and bold with an occasional flourish. i was delighted to see that at points he lapsed into [what appeared to be] sütterlinschrift (seen especially in his medial s’s).
  • the maps themselves were not very different from standard ones like this and this.
  • nabokov calculates that bloom walks 5 miles throughout the day.
  • for reasons not readily understandable, he drew england about 1,000 feet off the coast of dublin.
  • while i was sifting through personal notes written by one of the top writers of the twentieth century, sitting in a room containing original manuscripts and love letters by the likes of woolf, pound, yeats, kerouac and james, the curator was reading a patrick o’brian novel.
  • in the end, donna would NOT let me photocopy anything. she said that i would first need to get the permission of dmitri nabokov. i joked that dmitiri would probably oblige given his latest decision regarding his father’s literary estate. this joke did not go over so well.
  • dmitiri however, failed to prevent me from taking notes and i WAS able to recreate the whole map on my own little scrap of paper. perhaps in 500 years, some pesky hoverboard-riding blogger might con his way into the new nypl so as to catch a quick peak of the raynor/nabokov/joyce map. or perhaps it will wind up as trash and a hobo will use it to toilet train his golden retreiver. only time will tell.

*yes, i sniffed it.

nabokov maps ulysses

In 1969, Nabokov told an interviewer, &#8220;Instead of perpetuating the pretentious nonsense of Homeric, chromatic, and visceral chapter headings, instructors should prepare maps of Dublin with Bloom&#8217;s and Stephen&#8217;s intertwining itineraries clearly traced.&#8221; Nabokov drew just such a map as part of his lecture notes for Ulysses. via

nabokov? joyce? maps? drawings? this image is a burrito of all my favourite things (note: joyce is the guacamole in this metaphor). would you not have donated a litre of your own spinal fluid to audit this lecture‽ added bonus: you would have been able to pass notes to thomas pynchon!
know this as well: nabokov and joyce actually met eachother once in berlin in 1937. the hungarian national football team figured prominently in that encounter.

nabokov maps ulysses

In 1969, Nabokov told an interviewer, “Instead of perpetuating the pretentious nonsense of Homeric, chromatic, and visceral chapter headings, instructors should prepare maps of Dublin with Bloom’s and Stephen’s intertwining itineraries clearly traced.” Nabokov drew just such a map as part of his lecture notes for Ulysses. via

nabokov? joyce? maps? drawings? this image is a burrito of all my favourite things (note: joyce is the guacamole in this metaphor). would you not have donated a litre of your own spinal fluid to audit this lecture‽ added bonus: you would have been able to pass notes to thomas pynchon!

know this as well: nabokov and joyce actually met eachother once in berlin in 1937. the hungarian national football team figured prominently in that encounter.

if you see kay
tell him he may
see you in tea
tell him from me.
— the prison gate girls in joyce’s ulysses
March 4, 2009
tags

the adventures of james joyce & samuel beckett

Once or twice Joyce dictated a bit of Finnegans Wake to Samuel Beckett, though dictation did not work very well for him; in the middle of one such session there was a knock at the door that Beckett didn’t hear. Joyce said, ‘Come in,’ and Beckett wrote it down. Afterwards he read back what he had written and Joyce said, ‘What’s that “Come in”?’ ‘Yes, you said that, ’ said Beckett. Joyce thought for a moment, then said ‘Let it stand.’

related: the ringing alarm clock in a day in the life.

March 2, 2009
tags
disclaimer